By John C. van Dyke
John Charles van Dyke (1856-1932) used to be an American artwork historian and critic. He was once born at New Brunswick, N. J., studied at Columbia, and for a few years in Europe. along with his publication chronicling the background of portray from cave work to the fashionable period. totally illustrated.
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Additional info for A Text-Book of the History of Painting (Illustrated Edition)
In technical knowledge and intellectual grasp Florence was at this time the leader and drew to her many artists from neighboring schools. ) was the first great nature student of the Early Renaissance, though his master, Masolino (1383-1447), had given proof positive of severe nature study in bits of modelling, in drapery, and in portrait heads. Masaccio, however, seems the first to have gone into it thoroughly and to have grasped nature as a whole. His mastery of form, his plastic composition, his free, broad folds of drapery, and his knowledge of light and perspective, all placed him in the front rank of fifteenthcentury painters.
Raniera Campo Santo Pisa. SIENNESE—Guido da Sienna, Madonna S. Domenico Sienna; Duccio, panels Duomo and Acad. Sienna, Madonna Nat. Gal. , altar-piece and Madonna Opera del Duomo Orvieto; Lippo Memmi, frescos Palazzo del Podesta S. Gemignano, Annunciation Uffizi Florence; Bartolo di Fredi, altar-pieces Acad. Sienna, S. Francesco Montalcino; Taddeo di Bartolo, Palazzo Pubblico Sienna, Duomo, S. Gemignano, S. Francesco Pisa; Ambrogio Lorenzetti, frescos Palazzo Pubblico Sienna, Triumph of Death (with Pietro Lorenzetti) Campo Santo Pisa, St.
Bologna, also Louvre, Berlin, and Nat. Gal. ; Francia, altar-pieces S. Giacomo Maggiore, S. Martino Maggiore, and many altar-pieces in Acad. Bologna, Annunciation Brera Milan, Rose Garden Munich, Pieta Nat. Gal. , Scappi Portrait Uffizi, Baptism Dresden. LOMBARDS—Foppa, altar-pieces S. Maria di Castello Savona, Borromeo Col. Milan, Carmine Brescia, panels Brera Milan; Borgognone, altar-pieces Certosa of Pavia, Church of Melegnano, S. , Brera Milan, Nat. Gal. Lon. com CHAPTER VII. ITALIAN PAINTING.